|
|
|
|
| LEADER |
03351cam a2200421 a 4500 |
| 001 |
mig00004716983 |
| 003 |
OCoLC |
| 005 |
20130604120616.0 |
| 008 |
120618s2012 enka b 001 0 eng |
| 010 |
|
|
|a 2012022129
|
| 015 |
|
|
|a GBB211846
|2 bnb
|
| 015 |
|
|
|a GBB211846
|2 dnb
|
| 016 |
7 |
|
|a 016025887
|2 Uk
|
| 020 |
|
|
|a 9780230285781 (hbk.)
|
| 020 |
|
|
|a 0230285783 (hbk.)
|
| 035 |
|
|
|a (OCoLC)776773173
|
| 035 |
0 |
0 |
|a ocn776773173
|
| 040 |
|
|
|a DLC
|c STF
|d UKMGB
|d DEBBG
|d YDXCP
|d YNK
|d OCLCO
|d BWX
|d YOU
|d CUT
|d ZCU
|d MUU
|d GYG
|d TXM
|
| 042 |
|
|
|a pcc
|
| 043 |
|
|
|a e-uk---
|
| 049 |
|
|
|a TXMM
|
| 050 |
0 |
0 |
|a PN2595.13.E97
|b W37 2012
|
| 082 |
0 |
4 |
|a 792.094109041
|2 23
|
| 092 |
|
|
|a 792.0941
|b W21b
|
| 100 |
1 |
|
|a Warden, Claire,
|d 1980-
|e author.
|
| 245 |
1 |
0 |
|a British avant-garde theatre /
|c Claire Warden.
|
| 264 |
|
1 |
|a Houndmills, Basingstoke, Hampshire ;
|a New York :
|b Palgrave Macmillan,
|c 2012.
|
| 300 |
|
|
|a xi, 216 pages :
|b illustrations ;
|c 23 cm
|
| 504 |
|
|
|a Includes bibliographical references (pages 195-209) and index.
|
| 505 |
0 |
|
|a Introduction: A British theatrical avant-garde -- Structure: the fragmented and the episodic: -- Performing current affairs: the Living Newpaper -- Expressionism and Stationendrama -- Montage and cinematic editing -- Variety theatre and popular entertainment -- 'Time gentlemen, please': naturalism and beyond -- Questioning conclusions -- Staging: platforms and constructions: -- Former theatrical traditions and the contemporary political space -- 'Precursors of great promise' -- Using the platform -- Construction and projection -- New lightening innovations -- The new stage: cages and prisons -- Limited experiment? -- Language: disturbing words: -- Poetry in theatre: a British tradition -- Poetry, drama and linguistic style -- Towards a political poetic -- Poetics of declamation -- Dialect, accent and vernacular speech -- Non-communicative language -- Speaking to an audience -- Character: the screaming man and the talking feet: -- Ancient modes reinterpreted -- Isolation: psychoanalytical science and the fragmented mind -- Modern humanity: the nameless, the dead and the non-human -- Animals, mannequins and robots: new character for the modern stage -- Redeeming the human -- Crossing genres: movement and music -- Conclusion: A British theatrical avant-garde?: --Crosing genres: music, dance and the dramatic form -- Dance, movement and the modern world -- Dalcroze's eurhythmics to Meyerhold's biomechanics -- Modern dance: theatre workshop's experiments with Laban -- The dance of death: the influence of ballet -- Rhythms, beats and drumming -- 'Incidental' theatrical music -- The creation of critical dialogues.
|
| 650 |
|
0 |
|a Experimental theater
|z Great Britain
|x History
|y 20th century.
|
| 650 |
|
0 |
|a English drama
|y 20th century
|x History and criticism.
|
| 907 |
|
|
|a 2155524
|b 06-06-13
|c 03-08-13
|
| 998 |
|
|
|a w
|b 06-04-13
|c m
|d a
|e -
|f eng
|g enk
|h 0
|i 1
|
| 994 |
|
|
|a C0
|b TXM
|
| 945 |
|
|
|a 792.0941
|b W21b
|g 1
|i 33082017876771
|j 0
|l w4
|o -
|p $71.83
|q -
|r -
|s -
|t 0
|u 0
|v 0
|w 0
|x 0
|y .i20685427
|z 03-25-13
|
| 999 |
f |
f |
|i d3930b9d-ff87-493b-afc9-101d202acd82
|s fc17b4be-cb25-4497-ab68-134a4f0315f3
|t 0
|
| 952 |
f |
f |
|a Middle Tennessee State University
|b Main
|c James E. Walker Library
|d Main Collection - Walker Library - 4th Floor
|t 0
|e 792.0941 W21b
|h Library of Congress classification
|i Book
|m 33082017876771
|n 1
|
