Eugene O'Neill's one-act plays : new critical perspectives /
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| Other Authors: | , |
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| Format: | Book |
| Language: | English |
| Published: |
New York :
Palgrave Macmillan,
2012.
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| Subjects: |
Table of Contents:
- The playwright's theatre: O'Neill's use of the Provincetown Players as laboratory / Jeff Kennedy
- Rethinking O'Neill's beginnings: slumming, sociology, and sensationalism in The web / J. Chris Westgate
- Eugene O'Neill's Abortion and standard family roles: the economics of terminating a romance and a pregnancy / Lesley Broder
- The movie man: the failure of aesthetics? / Thierry Dubost
- "God stiffen us ...": queering O'Neill's sea plays / Phillip Barnhart
- Epistemological crises in O'Neill's SS Glencairn plays / Michael Y. Bennett
- "The curtain is lowered": self-revelation and the problem of form in Exorcism / Kurt Eisen
- "Ain't nothin' dere but de trees!": ghosts and the forest in The Emperor Jones / Paul D. Streufert
- Neither fallen angel nor risen ape: desentimentalizing Robert Smith / Thomas F. Connolly
- Waiting for O'Neill: the makings of an existentialist / Steven F. Bloom
- O'Neill's Hughie: the sea plays revisited / Robert Combs
- Condensed comedy: the neo-futurists perform O'Neill's stage directions / Zander Brietzke.
