The Cambridge companion to the Lied /

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Bibliographic Details
Other Authors: Parsons, James, 1956-
Format: Book
Language:English
Published: Cambridge ; New York : Cambridge University Press, 2004.
Series:Cambridge companions to music
Subjects:

MARC

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245 0 4 |a The Cambridge companion to the Lied /  |c edited by James Parsons. 
260 |a Cambridge ;  |a New York :  |b Cambridge University Press,  |c 2004. 
300 |a xxxviii, 399 p. :  |b ill. ;  |c 26 cm. 
440 0 |a Cambridge companions to music 
504 |a Includes bibliographical references (p. 369-382) and index. 
505 0 0 |g PART I : INTRODUCING A GENRE --  |g Introduction :  |t why the Lied? /  |r James Parsons --  |t In the beginning was poetry /  |r Jane K. Brown. 
505 0 0 |g PART II : THE BIRTH AND EARLY HISTORY OF A GENRE IN THE AGE OF ENLIGHTENMENT --  |t The eighteenth-century Lied /  |r James Parsons --  |t The Lieder of Carl Philipp Emanuel Bach, Haydn, Mozart, and Beethoven /  |r Amanda Glauert. 
505 0 0 |g PART III : THE NINETEENTH CENTURY: ISSUES OF STYLE AND DEVELOPMENT --  |t The nineteenth century : issues of style and development. The Lieder of Schubert /  |r Marie-Agnes Dittrich --  |t The early nineteenth-century song cycle /  |r Ruth O. Bingham --  |t Schumann : reconfiguring the Lied /  |r Jèurgen Thym --  |t A multitude of voices : the Lied at mid century /  |r James Deaville --  |t The Lieder of Liszt /  |r Rena Charnin Mueller --  |t The Lieder of Brahms /  |r Heather Platt --  |t Tradition and innovation : the Lieder of Hugo Wolf /  |r Susan Youens --  |t Beyond song : instrumental trasformations and adaptations of the Lied from Schubert to Mahler /  |r Christopher H. Gibbs. 
505 0 0 |g PART IV : INTO THE TWENTIETH CENTURY --  |t The Lieder of Mahler and Richard Strauss /  |r James L. Zychowicz --  |t The Lied in the modern age : to mid century /  |r James Parsons. 
505 0 0 |g PART V : RECEPTION AND PERFORMANCE --  |t The circulation of the Lied : the double life of an artwork and a commodity /  |r David Gramit --  |t The Lied in performance /  |r Grahm Johnson. 
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