Film music in 'minor' national cinemas /

Taking its cue from Deleuze's definition of minor cinema as one which engages in a creative act of becoming, this collection explores the multifarious ways that music has been used in the cinemas of various countries in Australasia, Africa, Latin America and even in Europe that have hitherto re...

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Bibliographic Details
Other Authors: Gil-Curiel, Germán (Editor)
Format: Electronic eBook
Language:English
Published: New York, NY ; London, UK : Bloomsbury Academic, an imprint of Bloomsbury Publishing Inc, 2016.
Series:Topics and issues in national cinema ; v. 4.
Subjects:
Online Access:CONNECT

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505 0 |a Introduction : modalities of music in 'minor cinema' / Jonathan P.J. Stock -- Aural dialectics and revolutionary media in Cuba / Nicholas Balaisis -- Sobre las olas, waltz and films : classical music and Mexican identity / Armida de la Garza -- Black Orpheus / Hans Hess -- Chinese identity : poetics of cinema and music in hero / Germán Gil-Curiel -- 'The continental melody?' 'Soldiers and Japan's imperial screen / Chikako Nagayama -- Collective nostalgia and anxiety in Korean film music : Im Kwont'aek's use of P'ansori in Sop'yonje / Jooyeon Rhee -- Music and the 'minor' : musical expression as oral testimony in the films of Bahman Ghobadi / Rowena Santos-Aquino -- Subtle idiosyncracy : sound and music in the Australian animated short film The lost thing (2010) / Rebecca Coyle, Jon Fitzgerald and Philip Hayward -- Minor cinema and major music in New Zealand : no. 2 and Don Mcglashan / Henry Johnson -- Between the text and the sub-text : a reading of selected Benin musical video-films from Nigeria / Osakue S. Omoera and Charles O. Aluede -- Music and African identity in the films of Flora Gomes / Carolin Overhoff Ferreira. 
588 0 |a Online resource; title from digital title page (viewed on February 05, 2016). 
520 8 |a Taking its cue from Deleuze's definition of minor cinema as one which engages in a creative act of becoming, this collection explores the multifarious ways that music has been used in the cinemas of various countries in Australasia, Africa, Latin America and even in Europe that have hitherto received little attention. The authors consider such film music with a focus on the role it has played creating, problematizing, and sometimes contesting, the nation. Deleuze's lens suits these cinemas because they are precisely not like Hollywood, and the key issue is national identity. 'Film Music in 'Minor' National Cinemas' addresses the relationships between film music and the national cinemas beyond Hollywood and the European countries that comprise most of the literature in the field. 
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