Religious dissimulation and early modern drama : the limits of toleration /
"Kilian Schindler examines how playwrights such as William Shakespeare, Ben Jonson, and Christopher Marlowe represented religious dissimulation on stage and argues that debates about the legitimacy of dissembling one's faith were closely bound up with early modern conceptions of theatrical...
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| Main Author: | |
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| Format: | Electronic eBook |
| Language: | English |
| Published: |
Cambridge ; New York, NY :
Cambridge University Press,
2023.
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| Subjects: | |
| Online Access: | CONNECT |
MARC
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| 100 | 1 | |a Schindler, Kilian, |e author. | |
| 245 | 1 | 0 | |a Religious dissimulation and early modern drama : |b the limits of toleration / |c Kilian Schindler. |
| 263 | |a 2308 | ||
| 264 | 1 | |a Cambridge ; |a New York, NY : |b Cambridge University Press, |c 2023. | |
| 300 | |a 1 online resource | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Religious dissimulation and toleration in early modern England -- From Oldcastle to Falstaff : the politics of martyrdom and conformity in 1 and 2 Henry IV -- Falstaff revisited : Puritan nonconformity and loyal dissent in 1 Sir John Oldcastle -- Silence denied : Sir Thomas More and the incrimination of inward dissent -- Free speech and neo-stoicist inwardness : the divided self in Ben Jonson's Sejanus his fall -- Exposing religious dissimulation : the stage Machiavel in Christopher Marlowe's The Jew of Malta -- Semi-conformity, idolatrous pollution, and conversion : the permeable self in Ben Jonson's Bartholomew Fair. | |
| 520 | |a "Kilian Schindler examines how playwrights such as William Shakespeare, Ben Jonson, and Christopher Marlowe represented religious dissimulation on stage and argues that debates about the legitimacy of dissembling one's faith were closely bound up with early modern conceptions of theatricality. Considering both Catholic and Protestant perspectives on religious dissimulation in the absence of full toleration, Schindler demonstrates its ubiquity and urgency in early modern culture. By reconstructing the ideological undercurrents that inform both religious dissimulation and theatricality as a form of dissimulation, this book makes a case for the centrality of dissimulation in the religious politics of early modern drama. Lucid and original, this study is an important contribution to the understanding of early modern religious and literary culture"-- |c Provided by publisher. | ||
| 588 | |a Description based on print version record and CIP data provided by publisher; resource not viewed. | ||
| 500 | |a Cambridge Open Access Books and Elements |5 TMurS | ||
| 650 | 0 | |a English drama |y Early modern and Elizabethan, 1500-1600 |x History and criticism. | |
| 650 | 0 | |a Religion in literature. | |
| 650 | 0 | |a Secrecy in literature. | |
| 648 | 7 | |a 1500-1600 |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 730 | 0 | |a WORLDSHARE SUB RECORDS | |
| 776 | 0 | 8 | |i Print version: |a Schindler, Kilian. |t Religious dissimulation and early modern drama |d Cambridge ; New York, NY : Cambridge University Press, 2023 |z 9781009226318 |w (DLC) 2023017685 |
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| 952 | f | f | |a Middle Tennessee State University |b Main |c James E. Walker Library |d Electronic Resources |t 0 |e PR658.R43 |h Library of Congress classification |
