Postmodernity's musical pasts /
Postmodernity's Musical Pasts covers topics from classical to popular and neo-traditional musics to concerns of the disciplines of musicology. Such varied topics mirror the eclectic and diverse nature of the postwar era itself.
Saved in:
| Other Authors: | |
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| Format: | Electronic eBook |
| Language: | English |
| Published: |
Woodbridge :
The Boydell Press,
2020.
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| Subjects: | |
| Online Access: | CONNECT |
MARC
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| 245 | 0 | 0 | |a Postmodernity's musical pasts / |c edited by Tina Frühauf. |
| 264 | 1 | |a Woodbridge : |b The Boydell Press, |c 2020. | |
| 300 | |a 1 online resource (xviii, 305 pages) : |b illustrations (black and white) | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 504 | |a Includes bibliographical references (pages 273-296) and index. | ||
| 505 | 0 | 0 | |g Introduction / |r Tina Frühauf -- |g Part I. |t Time and the (Post)Modern: |g 1. |t Music and postmodern time / |r Lawrence Kramer ; |g 2. |t "Aesthetic indigestion" : Alfred Schnittke, anachronism, and the contemporary cadenza's musical pasts / |r Joshua S. Walden ; |g 3. |t John Adams's post-stylistic approach to the past : a response to the uncertain future of a globalized world? / |r Max Noubel -- |g Part II. |t Manifestations of History: |g 4. |t Germany, post modernism, and the sphericity of time / |r Laurenz Lütteken ; |g 5. |t Visions of the "end of history," "1968," and the emergence of "postmoderne Musik" in West Germany / |r Beate Kutschke -- |g Part III. |t Receptions of the Past: |g 6. |t (Neo- )Schenkerism and the past : recovering a plurality of critical contexts / |r John Koslovsky ; |g 7. |t From Bach to Neruda : historicity and heterogenous temporality in the Chilean cantata (1941-1969) / |r Daniela Fugellie ; |g 8. |t Time re-covered : double temporality in Olga Neuwirth's Hommage à Klaus Nomi / |r Georg Burgstaller -- |g Part IV. |t Nostalgia and the Temporalities of Belonging: |g 9. |t The past is home : Eduardo Martínez Torner in postwar London; an exile's nostalgia for Spanish musicology / |r Susana Asensio Llamas ; |g 10. |t Historical nostalgia, nature, and the future in three iconic albums from 1971 : Aqualung, Who's next, and Led Zeppelin IV / |r Caitlin Vaughn Carlos ; |g 11. |t Indie Neofado's temporality : a tale of two nostalgias / |r Michael Arnold. |
| 520 | |a Postmodernity's Musical Pasts covers topics from classical to popular and neo-traditional musics to concerns of the disciplines of musicology. Such varied topics mirror the eclectic and diverse nature of the postwar era itself. | ||
| 588 | 0 | |a Print version record. | |
| 590 | 0 | |a Books at JSTOR Evidence Based Acquisitions | |
| 650 | 0 | |a Music |y 20th century |x History and criticism. | |
| 650 | 0 | |a Musicology. | |
| 650 | 0 | |a Music |x Philosophy and aesthetics. | |
| 650 | 0 | |a Postmodernism. | |
| 650 | 0 | |a Music appreciation. | |
| 650 | 0 | |a Time in art. | |
| 650 | 0 | |a Music |y 21st century |x History and criticism. | |
| 648 | 7 | |a 1900-2099 |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 700 | 1 | |a Frühauf, Tina, |e editor. | |
| 730 | 0 | |a WORLDSHARE SUB RECORDS | |
| 776 | 0 | 8 | |i Print version: |t POSTMODERNITY'S MUSICAL PASTS. |d [Place of publication not identified] : BOYDELL PRESS, 2020 |z 1783274964 |w (OCoLC)1113876038 |
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