Music and time : psychology, philosophy, practice /

For the experimental psychologist, the experience of time during music listening or performance is something that may be studied empirically. For philosophers, fundamental questions of time continue to be the subject of ongoing debate in philosophy: is time linear? What are past, present and future?...

Full description

Saved in:
Bibliographic Details
Other Authors: Phillips, Michelle (Editor), Sergeant, Matthew (Editor)
Format: Electronic eBook
Language:English
Published: Woodbridge : The Boydell Press, 2022.
Subjects:
Online Access:CONNECT

MARC

LEADER 00000nam a2200000 i 4500
001 in00006278612
006 m|||||o||d||||||||
007 cr||||||||||||
008 221003s2022||||enk o ||1 0|eng|d
005 20221121163620.7
020 |a 9781800105805 (ebook) 
020 |z 9781783277087 (hardback) 
035 0 0 |a ocm00000001CAMEBACR9781800105805 
035 |a 1CAMEBACR9781800105805 
040 |a UkCbUP  |b eng  |e rda  |c UkCbUP 
050 4 |a ML3845  |b .M87 2022 
082 0 4 |a 781.17  |2 23 
245 0 0 |a Music and time :  |b psychology, philosophy, practice /  |c edited by Michelle Phillips and Matthew Sergeant. 
264 1 |a Woodbridge :  |b The Boydell Press,  |c 2022. 
300 |a 1 online resource (xi, 206 pages) :  |b digital, PDF file(s). 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
500 |a Title from publisher's bibliographic system (viewed on 07 Oct 2022). 
520 |a For the experimental psychologist, the experience of time during music listening or performance is something that may be studied empirically. For philosophers, fundamental questions of time continue to be the subject of ongoing debate in philosophy: is time linear? What are past, present and future? What is duration and what makes a perceptual present, or moment? For the performer, musical time can exist as a subjective vehicle of expression. Although any of the three could be chosen as a starting point, the order presented in the text's structure offers a journey from empiricism to application, via contemplation. This volume deals with the complex relationship between music and time. It presents a staunchly interdisciplinary perspective defined by the terms Psychology, Philosophy and Practice. The text is divided into sections concerning "experience", "enactment" and "meaning", as points of intersection between the three primary methodologies of the title. As such, this is a book for the scholar, the student of music, and the interested reader. For the scholar, it offers new interconnections and comparisons. For the student, its pluralistic approach presents the most comprehensive overview available to date regarding the topic. For the interested reader, the volume offers answers to questions which concern us as listeners and audiences at concerts, gigs, and festivals. 
650 0 |a Music  |x Philosophy and aesthetics. 
650 0 |a Music  |x Psychological aspects. 
650 0 |a Time. 
700 1 |a Phillips, Michelle,  |e editor. 
700 1 |a Sergeant, Matthew,  |e editor. 
730 0 |a Cambridge EBA Collection 
776 0 8 |i Print version:   |z 9781783277087 
856 4 0 |u https://ezproxy.mtsu.edu/login?url=https://www.cambridge.org/core/product/identifier/9781800105805/type/BOOK  |z CONNECT  |3 Cambridge University Press  |t 0 
949 |a ho0 
998 |a wi  |d z 
999 f f |s 494fe8bf-37b2-42c2-930e-ebee8dde3dad  |i f8197edb-f658-4b25-a685-193ef657a1f7  |t 0 
952 f f |a Middle Tennessee State University  |b Main  |c James E. Walker Library  |d Electronic Resources  |t 0  |e ML3845 .M87 2022  |h Library of Congress classification 
856 4 0 |3 Cambridge University Press  |t 0  |u https://ezproxy.mtsu.edu/login?url=https://www.cambridge.org/core/product/identifier/9781800105805/type/BOOK  |z CONNECT