Black Performance Theory /
Black performance theory is a rich interdisciplinary area of study and critical method. This collection of new essays by some of its pioneering thinkers-many of whom are performers-demonstrates the breadth, depth, innovation, and critical value of black performance theory. Considering how blackness...
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| Other Authors: | , |
| Format: | eBook |
| Language: | English |
| Published: |
London :
Duke University Press,
2014.
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| Subjects: | |
| Online Access: | CONNECT |
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| 245 | 0 | 0 | |a Black Performance Theory / |c Thomas F. DeFrantz and Anita Gonzalez, editors ; foreword by D. Soyini Madison. |
| 260 | |a London : |b Duke University Press, |c 2014. |e (Baltimore, Md. : |f Project MUSE, |g 2015) | ||
| 300 | |a 1 online resource (ix, 279 pages :) |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 504 | |a Includes bibliographical references (pages 243-262) and index. | ||
| 505 | 0 | |a From "negro expression" to "black performance" / Thomas F. DeFrantz and Anita Gonzalez -- Transporting black -- Navigations: diasporic transports and landings / Anita Gonzalez -- Diasporic spidering: constructing contemporary black identities / Nadine George-Graves -- Twenty-first-century post-humans: the rise of the See-J / Hershini Bhana Young -- Hip work: undoing the tragic mulata / Melissa Blanco Borelli -- Black-en-scene -- Black-authored lynching drama's challenge to theater history / Koritha Mitchell -- Reading "spirit" and the dancing body in the choreography of Ronald K. Brown and Reggie Wilson Carl Paris -- Uncovered: a pageant of hip hop masters / Rickerby Hinds -- Black imaginary -- Black movements: flying africans in spaceships / Soyica Diggs Colbert -- Post-logical notes on self-election / Wendy S. Walters -- Cityscaped: ethnospheres / Anna B. Scott -- Hi-fidelity black -- "Rip it up": excess and ecstasy in Little Richard's sound / Tavia Nyong'o -- Don't stop 'til you get enough: presence, spectacle, and good feeling in Michael Jackson's This is it / Jason king -- Afro-sonic feminist praxis: Nina Simone and Adrienne Kennedy in high fidelity / Daphne A. Brooks -- Hip-hop habitus v.2.0 / Thomas F. DeFrantz. | |
| 588 | |a Description based on print version record. | ||
| 520 | |a Black performance theory is a rich interdisciplinary area of study and critical method. This collection of new essays by some of its pioneering thinkers-many of whom are performers-demonstrates the breadth, depth, innovation, and critical value of black performance theory. Considering how blackness is imagined in and through performance, the contributors address topics including flight as a persistent theme in African American aesthetics, the circulation of minstrel tropes in Liverpool and in Afro-Mexican settlements in Oaxaca, and the reach of hip-hop politics as people around the world embra. | ||
| 500 | |a Project Muse EBA All Single Title Collection |5 TMurS | ||
| 650 | 0 | |a African Americans in the performing arts. | |
| 650 | 0 | |a Black people in the performing arts. | |
| 700 | 1 | |a Gonzalez, Anita, |e editor. | |
| 700 | 1 | |a DeFrantz, Thomas, |e editor. | |
| 710 | 2 | |a Project Muse. | |
| 730 | 0 | |a WORLDSHARE SUB RECORDS | |
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| 952 | f | f | |a Middle Tennessee State University |b Main |c James E. Walker Library |d Electronic Resources |t 0 |e PN1590.B53 B53 2014 |h Library of Congress classification |
