The cry of the senses : listening to Latinx and Caribbean poetics /

"In The Cry of the Senses, Ren Ellis Neyra examines the imaginative possibility for sound and poetics to foster new modes of sensorial solidarity in the Caribbean Americas. Weaving together the black radical tradition with Caribbean and Latinx performance, cinema, music, and literature, Ellis N...

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Bibliographic Details
Main Author: Ellis Neyra, Ren, 1983- (Author)
Format: Electronic eBook
Language:English
Published: Durham : Duke University Press, 2020.
Series:Dissident acts.
Subjects:
Online Access:CONNECT

MARC

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100 1 |a Ellis Neyra, Ren,  |d 1983-  |e author. 
245 1 4 |a The cry of the senses :  |b listening to Latinx and Caribbean poetics /  |c Ren Ellis Neyra. 
264 1 |a Durham :  |b Duke University Press,  |c 2020. 
264 4 |c ©2020 
300 |a 1 online resource (xxii, 222 pages) :  |b color illustrations 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 1 |a Dissident acts 
504 |a Includes bibliographical references and index. 
505 0 |a Introduction: Cry Bomba -- Chapter 1: "ŁAnormales!": Unruly Audition in Performances of 1970s Salsa -- Chapter 2: "I have been forced to hear a lot": The FALN, The Masses Are Asses, and the -- Shapes and Sounds of Defiant Women -- Chapter 3: Sensorial Errancy in Beatriz Santiago Muñóz's Cinema -- Chapter 4: Slow Lightning, Ecstatic Mourning, and Migratory Refuge -- Coda, in three: "fifty-two plastic bombs exploding as one, thundered against the sky." 
520 |a "In The Cry of the Senses, Ren Ellis Neyra examines the imaginative possibility for sound and poetics to foster new modes of sensorial solidarity in the Caribbean Americas. Weaving together the black radical tradition with Caribbean and Latinx performance, cinema, music, and literature, Ellis Neyra highlights the ways Latinx and Caribbean sonic practices challenge antiblack, colonial, post-Enlightenment, and humanist epistemologies. They locate and address the sonic in its myriad manifestations-across genres and forms, in a legal trial, and in the art and writing of Xandra Ibarra, the Fania All-Stars, Beatriz Santiago Muñóz, Edouard Glissant, and Eduardo Corral - while demonstrating how it operates as a raucous form of diasporic dissent and connectivity. Throughout, Ellis Neyra emphasizes Caribbean and Latinx sensorial practices while attuning readers to the many forms of blackness and queerness. Tracking the sonic through their method of multi-sensorial, poetic listening, Ellis Neyra shows how attending to the senses can inspire alternate, ethical ways of collective listening and being"--  |c Provided by publisher 
588 0 |a Online resource; title from digital title page (viewed on November 10, 2020). 
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