Farocki/Godard /
This book brings together two major filmmakers--German avant-gardist Harun Farocki and French New Wave master Jean-Luc Godard--to explore the fundamental tension between theoretical abstraction and the capacities of film itself, a medium where everything seen onscreen is necessarily concrete. Volker...
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| Main Author: | |
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| Corporate Author: | |
| Other Authors: | |
| Format: | Electronic eBook |
| Language: | English German |
| Published: |
Amsterdam [Netherlands] :
Amsterdam University Press,
[2015]
Baltimore, Maryland : Project Muse, 2019 |
| Series: | Schriften des Internationalen Kollegs für Kulturtechnikforschung und Medienphilosophie ;
Bd. 25. Film culture in transition. |
| Subjects: | |
| Online Access: | CONNECT |
MARC
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| 100 | 1 | |a Pantenburg, Volker, |d 1973- |e author. | |
| 240 | 1 | 0 | |a Film als Theorie. |l English |
| 245 | 1 | 0 | |a Farocki/Godard / |c Volker Pantenburg ; translated by Micheal Turnbull. |
| 260 | |a Amsterdam [Netherlands] : |b Amsterdam University Press, |c [2015] | ||
| 260 | |a Baltimore, Maryland : |b Project Muse, |c 2019 | ||
| 300 | |a 1 online resource (1 PDF (285 pages)) : |b illustrations | ||
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| 490 | 1 | |a IKKM books ; |v volume 25 | |
| 490 | 1 | |a Film Culture in Transition | |
| 500 | |a "Originally published as 'Volker Pantenburg, Film als Theorie. Bildforschung bei Harun Farocki und Jean-Luc Godard', transcript Verlag, 2006"--Title page verso. | ||
| 504 | |a Includes bibliographical references (pages 263-275) and indexes. | ||
| 505 | 0 | |a Introduction: Two Image Researchers -- 1. Le film qui pense: Image, Theory, Practice -- Film as a "Concrete Medium" -- Film Theories / Film as Theory -- Difference and Theory -- Montage and Cinematic Thinking -- 2. The Camera as Brush -- Film and Painting: Narrating with Images: Breathless -- Exploding the Museum: Pierrot le fou -- Arranging Things: Still Life -- Processing Images: Passion -- 3. Deviation as Norm -- Notes on the Essay Film -- 4. Cut -- Interlude in the Editing Room: What an Editing Room is: Interface -- Montage, toujours: JLG/JLG -- 5. Taking Pictures -- Photography and Film: Displacing: The Carabineers -- Rendering: Before Your Eyes Vietnam -- Surveying: Images of the World and The Inscription of War -- 6. Two or Three Ways of Speaking with the Hands: Asking Oneself: La Chinoise / Vent d'est -- Offering Oneself: Nouvelle vague -- Wxpressing Oneself: Georg K. Glaser / The Expression of Hands -- Conclusion. | |
| 520 | |a This book brings together two major filmmakers--German avant-gardist Harun Farocki and French New Wave master Jean-Luc Godard--to explore the fundamental tension between theoretical abstraction and the capacities of film itself, a medium where everything seen onscreen is necessarily concrete. Volker Pantenburg shows how these two filmmakers explored the potential of combined shots and montage to create "film as theory." | ||
| 588 | 0 | |a Print version record. | |
| 500 | |a Project Muse Open Access Books |5 TMurS | ||
| 600 | 1 | 0 | |a Farocki, Harun |x Criticism and interpretation. |
| 600 | 1 | 0 | |a Godard, Jean-Luc, |d 1930-2022 |x Criticism and interpretation. |
| 650 | 0 | |a Motion pictures |x Philosophy. | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 700 | 1 | |a Turnbull, Michael, |d 1959- |e translator. | |
| 710 | 2 | |a Internationales Kolleg für Kulturtechnikforschung und Medienphilosophie. | |
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| 776 | 0 | 8 | |i Print version: |z 9789089648914 |z 9089648917 |
| 830 | 0 | |a Schriften des Internationalen Kollegs für Kulturtechnikforschung und Medienphilosophie ; |v Bd. 25. | |
| 830 | 0 | |a Film culture in transition. | |
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| 952 | f | f | |a Middle Tennessee State University |b Main |c James E. Walker Library |d Electronic Resources |t 0 |e PN1998.3.F365 P3613 2015 |h Library of Congress classification |
