The Greatest Films Never Seen : the Film Archive and the Copyright Smokescreen.

Orphan works, or artworks for which no copyright holder is traceable, pose a growing problem for museums, archives, and other heritage institutions. As they come under more and more pressure to digitize and share their archives, they are often hampered by the uncertain rights status of items in thei...

Full description

Saved in:
Bibliographic Details
Main Author: Den Kamp, Claudy Op
Format: Electronic eBook
Language:English
Published: Amsterdam : Amsterdam University Press, 2017.
Series:Framing Film Ser.
Subjects:
Online Access:CONNECT
CONNECT

MARC

LEADER 00000cam a2200000Mi 4500
001 in00006211573
006 m o d
007 cr |n|---|||||
008 181117s2017 ne o 000 0 eng d
005 20230824135140.6
020 |a 9789048531042 
020 |a 9048531047 
035 |a 1WRLDSHRon1066190641 
035 |a (OCoLC)1066190641 
040 |a EBLCP  |b eng  |e pn  |c EBLCP  |d OCLCQ  |d DEGRU  |d OCLCQ  |d OAPEN  |d OCLCQ  |d UKKNU  |d VT2  |d OCLCO  |d OCLCF  |d AUD  |d S2H  |d OCLCQ  |d OCLCO  |d OCLCQ  |d YWS  |d OCLCQ  |d SFB  |d OCLCQ 
049 |a TXMM 
050 4 |a PN1993.4  |b .O63 2018eb 
082 0 4 |a 026.79143  |2 23 
100 1 |a Den Kamp, Claudy Op. 
245 1 4 |a The Greatest Films Never Seen :  |b the Film Archive and the Copyright Smokescreen. 
260 |a Amsterdam :  |b Amsterdam University Press,  |c 2017. 
300 |a 1 online resource (187 pages) 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 1 |a Framing Film Ser. 
588 0 |a Print version record. 
505 0 |a Intro; Table of Contents; Acknowledgements; Preface; The Orphan in a Handbag. An introduction to the film archive and intellectual property; Chapter 1 -- Terra Incognita. The Nederlands Filmmuseum/EYE Film Institute Netherlands; Chapter 2 -- A Swiss Bank. Recategorization I -- The embargoed film; Chapter 3 -- A Handbag. Recategorization II -- The orphan film; Chapter 4 -- A Vehicle of Power. Recategorization III -- The public domain film (or, what orphan films are not); Chapter 5 -- A Birthplace. The begotten film; Chapter 6 -- The Potential for History-Making. Of accidents and activation. 
505 8 |a Conclusion. The Brighton lineFilmography; Bibliography; Index. 
520 |a Orphan works, or artworks for which no copyright holder is traceable, pose a growing problem for museums, archives, and other heritage institutions. As they come under more and more pressure to digitize and share their archives, they are often hampered by the uncertain rights status of items in their collections. This book uses the prism of copyright to reconsider human agency and the politics of the archive, and asks what the practical implications are for educational institutions, the creative industries, and the general public. 
500 |a De Gruyter Open Access eBooks  |5 TMurS 
500 |a OAPEN Library  |5 TMurS 
650 0 |a Film archives. 
650 0 |a Orphan works (Copyright) 
730 0 |a WORLDSHARE SUB RECORDS 
776 0 8 |i Print version:  |a Den Kamp, Claudy Op.  |t Greatest Films Never Seen : The Film Archive and the Copyright Smokescreen.  |d Amsterdam : Amsterdam University Press, ©2017  |z 9789462981393 
830 0 |a Framing Film Ser. 
856 4 0 |u https://www.degruyter.com/openurl?genre=book&isbn=9789048531042  |z CONNECT  |3 De Gruyter Online  |t 0 
856 4 0 |u https://library.oapen.org/handle/20.500.12657/24323  |z CONNECT  |3 Open Access Publishing in European Networks 
949 |a ho0 
994 |a 92  |b TXM 
998 |a wi  |d z 
999 f f |s 6ddb63dc-9886-4b1f-b10d-0b6c86d84edb  |i c7c7c37c-720c-4333-86ad-7aeefd51b058  |t 0 
952 f f |a Middle Tennessee State University  |b Main  |c James E. Walker Library  |d Electronic Resources  |t 0  |e PN1993.4 .O63 2018eb  |h Library of Congress classification