Shakespeare and virtual reality /
Teaching Shakespeare through performance has a long history, and active methods of teaching and learning are a logical complement to the teaching of performance. Virtual reality ought to be the logical extension of such active learning, providing an unrivalled immersive experience of performance tha...
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| Other Authors: | , |
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| Format: | Electronic eBook |
| Language: | English |
| Published: |
Cambridge :
Cambridge University Press,
2021.
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| Series: | Cambridge elements. Elements in Shakespeare performance,
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| Subjects: | |
| Online Access: | CONNECT |
MARC
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| 245 | 0 | 0 | |a Shakespeare and virtual reality / |c edited by Stephen Wittek, David McInnis. |
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| 490 | 1 | |a Cambridge elements. Elements in Shakespeare performance, |x 2632-816X | |
| 500 | |a Title from publisher's bibliographic system (viewed on 22 Dec 2021). | ||
| 520 | |a Teaching Shakespeare through performance has a long history, and active methods of teaching and learning are a logical complement to the teaching of performance. Virtual reality ought to be the logical extension of such active learning, providing an unrivalled immersive experience of performance that overcomes historical and geographical boundaries. But what are the key advantages and disadvantages of virtual reality, especially as it pertains to Shakespeare? And more interestingly, what can Shakespeare do for VR (rather than vice versa)? This Element, the first on its topic, explores the ways that virtual reality can be used in the classroom and the ways that it might radically change how students experience and think about Shakespeare in performance. | ||
| 600 | 1 | 0 | |a Shakespeare, William, |d 1564-1616 |x Study and teaching. |
| 650 | 0 | |a Literature and technology. | |
| 650 | 0 | |a Virtual reality. | |
| 700 | 1 | |a Wittek, Stephen, |e editor. | |
| 700 | 1 | |a McInnis, David, |e editor. | |
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| 830 | 0 | |a Cambridge elements. |p Elements in Shakespeare performance, |x 2632-816X. | |
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