The making of the artist in late Timurid painting /

"In the absence of a tradition of self-portraiture, how could artists signal their presence within a painting? Centred on late Timurid manuscript painting (ca. 1470-1500), this book reveals that pictures could function as the painter's delegate, charged with the task of centring and defini...

Full description

Saved in:
Bibliographic Details
Main Author: Balafrej, Lamia, 1984- (Author)
Format: Electronic eBook
Language:English
Published: Edinburgh : Edinburgh University Press, [2019]
Series:Edinburgh studies in Islamic art.
Subjects:
Online Access:CONNECT
CONNECT
Description
Summary:"In the absence of a tradition of self-portraiture, how could artists signal their presence within a painting? Centred on late Timurid manuscript painting (ca. 1470-1500), this book reveals that pictures could function as the painter's delegate, charged with the task of centring and defining artistic work, even as they did not represent the artist's likeness. Influenced by the culture of the majlis, an institutional gathering devoted to intricate literary performances and debates, late Timurid painters used a number of strategies to shift manuscript painting from an illustrative device to a self-reflective object, designed to highlight the artist's imagination and manual dexterity. These strategies include visual abundance, linear precision, the incorporation of inscriptions addressing aspects of the painting and the artist's signature. Focusing on one of the most iconic manuscripts of the Persianate tradition, the Cairo Bustan, made in late Timurid Herat and bearing the signatures of the painter Bihzad, this book argues that Bihzad's paintings defined authorship as making: at once an imaginative process and a manual endeavour."--Jacket.
Item Description:Books at JSTOR Evidence Based Acquisitions
EBSCO eBook Academic Comprehensive Collection North America
Physical Description:1 online resource
Bibliography:Includes bibliographical references (pages 228-247) and index.
ISBN:9781474437455
1474437451
9781474464918
1474464912
1474437435
9781474437431
9781474437462
147443746X