The logic of filtering : how noise shapes the sound of recorded music /
"This book traces the profound impact of technical media on the sound of music, asking: how do media technologies shape sound? How does this affect music? And how did it change what we listen for in music? Based on the information theoretical proposition that all transmission channels introduce...
Saved in:
| Main Author: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
New York, NY :
Oxford University Press,
[2021]
|
| Subjects: | |
| Online Access: | CONNECT |
MARC
| LEADER | 00000cam a2200000 i 4500 | ||
|---|---|---|---|
| 001 | in00006004481 | ||
| 006 | m o d | ||
| 007 | cr cnu---unuuu | ||
| 008 | 201113t20212021nyua ob 001 0 eng | ||
| 005 | 20230823170533.3 | ||
| 010 | |a 2020051795 | ||
| 020 | |a 9780190070168 |q electronic book | ||
| 020 | |a 0190070161 |q electronic book | ||
| 020 | |a 9780190070151 |q electronic book | ||
| 020 | |a 0190070153 |q electronic book | ||
| 020 | |a 9780190070175 |q electronic book | ||
| 020 | |a 019007017X |q electronic book | ||
| 020 | |z 9780190070137 |q hardcover | ||
| 020 | |z 9780190070144 |q paperback | ||
| 035 | |a 1WRLDSHRon1224584858 | ||
| 035 | |a (OCoLC)1224584858 | ||
| 040 | |a DLC |b eng |e rda |c DLC |d OCLCO |d OCLCF |d YDX |d EBLCP |d N$T |d YDX |d STBDS |d UKAHL |d IUL |d TXM |d OCLCO |d OCLCQ | ||
| 042 | |a pcc | ||
| 049 | |a TXMM | ||
| 050 | 0 | 0 | |a ML3877 |b .K76 2021 |
| 082 | 0 | 0 | |a 781.49/117 |2 23 |
| 100 | 1 | |a Kromhout, Melle Jan, |e author. | |
| 245 | 1 | 4 | |a The logic of filtering : |b how noise shapes the sound of recorded music / |c Melle Jan Kromhout. |
| 264 | 1 | |a New York, NY : |b Oxford University Press, |c [2021] | |
| 264 | 4 | |c ©2021 | |
| 300 | |a 1 online resource (xii, 167 pages) : |b illustrations. | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Introduction. The Noise of Sound Media -- The Myth of Perfect Fidelity -- The Logic of Noise Reduction -- Ideal and Technical Filters -- Time and Transience -- The Logic of Filtering -- Conclusion. The 'Other Music' | |
| 520 | |a "This book traces the profound impact of technical media on the sound of music, asking: how do media technologies shape sound? How does this affect music? And how did it change what we listen for in music? Based on the information theoretical proposition that all transmission channels introduce noise and distortion, the argument accounts for the fact that technologically reproduced music is inherently shaped by the technologies that enable its reproduction. The media archaeological assessment of this noise of sound media developed in the book draws from a wide range of sources, both theoretical and historical, conceptual and technical. Together, they show that noise should not be understood as unwanted by-effect but instead plays a foundational role in shaping the sonic contours of technologically reproduced music. Over the course of five chapters, the book sketches a broad history of the problem of noise in sound recording, looks at specific analog and digital noise-related technologies, traces the ideal of sonic purity back to key developments in nineteenth century acoustics, and develops an analysis of the close interrelation between noise and the temporality of sound. This relation, it argues, is central to the way in which recorded sound and music resonate with listeners. Ultimately, this media specific analysis of the noise of sound media thereby greatly enriches our understanding of the way in which they changed and continue to change the sonorous qualities of music, thus offering a new perspective on the interaction between music, media and listeners"-- |c Provided by publisher. | ||
| 588 | 0 | |a Description based on online resource; title from digital title page (Oxford Scholarship Onlilne, viewed on September 17, 2021). | |
| 500 | |a Oxford University Press Open Access Books |5 TMurS | ||
| 650 | 0 | |a Sound recordings |x Aesthetics. | |
| 650 | 0 | |a Music |x Philosophy and aesthetics. | |
| 650 | 0 | |a Sound |x Recording and reproducing |x History. | |
| 650 | 0 | |a Noise. | |
| 655 | 7 | |a History. |2 fast |0 (OCoLC)fst01411628 | |
| 730 | 0 | |a WORLDSHARE SUB RECORDS | |
| 776 | 0 | 8 | |i Print version: |a Kromhout, Melle Jan. |t The logic of filtering |b [1.] |d New York : Oxford University Press, 2021. |z 9780190070137 |w (DLC) 2020051794 |w (OCoLC) 1224583670 |
| 856 | 4 | 0 | |u https://academic.oup.com/book/39395 |z CONNECT |3 Oxford University Press |t 0 |
| 949 | |a ho0 | ||
| 994 | |a 92 |b TXM | ||
| 998 | |a wi |d z | ||
| 999 | f | f | |s 6a4f200c-c417-40b6-98ad-d7a6d8e169b4 |i f9cbd811-0395-4681-a98f-c078d0af4718 |t 0 |
| 952 | f | f | |a Middle Tennessee State University |b Main |c James E. Walker Library |d Electronic Resources |t 0 |e ML3877 .K76 2021 |h Library of Congress classification |
