Narratives of money & crime : neoliberalism in film, literature and popular culture /
What do druglords, corrupt politicians, failed states and distopias, mental disorders, scamming practices and feminism have in common? They all are actors and products of the complex intersections between money and crime that not only permeate our daily lives, but also produce worlds and narratives...
Saved in:
| Other Authors: | , |
|---|---|
| Format: | Book |
| Language: | English Spanish |
| Published: |
Berlin ; New York :
Peter Lang,
[2022]
|
| Series: | Romania viva ;
39. |
| Subjects: |
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| 245 | 0 | 0 | |a Narratives of money & crime : |b neoliberalism in film, literature and popular culture / |c Yasmin Temelli, Hans Bouchard (eds.). |
| 246 | 3 | |a Narratives of money and crime | |
| 264 | 1 | |a Berlin ; |a New York : |b Peter Lang, |c [2022] | |
| 264 | 4 | |c ©2022 | |
| 300 | |a 243 pages : |b illustrations (some color) ; |c 22 cm. | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a unmediated |b n |2 rdamedia | ||
| 338 | |a volume |b nc |2 rdacarrier | ||
| 490 | 1 | |a Romania viva, |x 2194-0371 ; |v 39 | |
| 504 | |a Includes bibliographical references. | ||
| 520 | 8 | |a What do druglords, corrupt politicians, failed states and distopias, mental disorders, scamming practices and feminism have in common? They all are actors and products of the complex intersections between money and crime that not only permeate our daily lives, but also produce worlds and narratives within their respective cultural products. From Hollywood dystopias to Netflix and TV series about Wall Street and Brazilian and Mexican politics, to fetishism and conspiracy to mental disorders in the workplace, the contributions to this volume explore the complex relations of neoliberalism and crime. The main objective of the publication is to examine such cultural and medial productions in order to differentiate the discourse about them and to enable a concrete picture of the underlying constituents. | |
| 546 | |a 7 English, 3 Spanish contributions. | ||
| 650 | 0 | |a Crime films |x History and criticism. | |
| 650 | 0 | |a Neoliberalism in motion pictures. | |
| 650 | 0 | |a Neoliberalism in literature. | |
| 650 | 0 | |a Neoliberalism in popular culture. | |
| 650 | 6 | |a Films criminels |x Histoire et critique. | |
| 650 | 6 | |a Néo-libéralisme au cinéma. | |
| 650 | 6 | |a Néo-libéralisme dans la littérature. | |
| 650 | 6 | |a Néo-libéralisme dans la culture populaire. | |
| 650 | 7 | |a Crime films. |2 fast |0 (OCoLC)fst01750246 | |
| 650 | 7 | |a Neoliberalism in literature. |2 fast |0 (OCoLC)fst02024667 | |
| 650 | 7 | |a Neoliberalism in motion pictures. |2 fast |0 (OCoLC)fst02024668 | |
| 650 | 7 | |a Neoliberalism in popular culture. |2 fast |0 (OCoLC)fst02002517 | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 700 | 1 | |a Bouchard, Hans, |e editor. | |
| 700 | 1 | |a Temelli, Yasmin, |e editor. | |
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| 830 | 0 | |a Romania viva ; |v 39. | |
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