Walter Ruttmann and the cinema of multiplicity : Avant-Garde, advertising, modernity /

Walter Ruttmann and the cinema of multiplicity : Avant-Garde, advertising, modernity /

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A key figure in early avant-garde cinema, Walter Ruttmann was a pioneer of experimental animation and the creative force behind one of the silent era's most celebrated montage films, Berlin: Symphony of a Great City. Yet even as he was making experimental films, Ruttmann had a day job. He worke...

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Bibliographic Details
Main Author: Cowan, Michael J., 1971- (Author)
Format: Electronic eBook
Language:English
Published: Amsterdam : Amsterdam University Press, 2014.
Series:Introduction : avant-garde, advertising and the managing of multiplicity -- Absolute advertising : abstraction and figuration in Ruttmann's animated product advertisements (1922-1927) -- The cross-section : images of the world and contingency management in Ruttmann's montage films of the late 1920s (1927-1929) -- Statistics and biopolitics : conceiving the national body in Ruttmann's hygiene films (1930-1933) -- "Überall Stahl" : forming the new nation in Ruttmann's steel and armament films (1934-1940) -- Afterword : of good and bad objects.
Subjects:
Ruttmann, Walter, > 1887-1941 > Criticism and interpretation.
1900-1999
Experimental films > Germany > History and criticism.
Motion picture producers and directors > Germany > 20th century.
Criticism, interpretation, etc.
Online Access:CONNECT

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