Igor Stravinsky

Stravinsky's compositional career was notable for its stylistic diversity. He first achieved international fame with three ballets commissioned by the impresario Sergei Diaghilev and first performed in Paris by Diaghilev's Ballets Russes: ''The Firebird'' (1910), ''Petrushka'' (1911), and ''The Rite of Spring'' (1913). The last transformed the way in which subsequent composers thought about rhythmic structure and was largely responsible for Stravinsky's enduring reputation as a revolutionary who pushed the boundaries of musical design. His "Russian phase", which continued with works such as ''Renard'', ''L'Histoire du soldat,'' and ''Les noces'', was followed in the 1920s by a period in which he turned to neoclassicism. The works from this period tended to make use of traditional musical forms (concerto grosso, fugue, and symphony) and drew from earlier styles, especially those of the 18th century. In the 1950s, Stravinsky adopted serial procedures. His compositions of this period shared traits with examples of his earlier output: rhythmic energy, the construction of extended melodic ideas out of a few two- or three-note cells, and clarity of form and instrumentation. Provided by Wikipedia
101
102
103
104
105
106
107
108
109
110
111
112
113
114
by Stravinsky, Igor, 1882-1971.
Published 2008
Other Authors:
“...Stravinsky, Igor, 1882-1971....”Published 2008
CONNECT
CONNECT
Electronic
Audio
115
by Stravinsky, Igor, 1882-1971
Published 1993
Other Authors:
“...Stravinsky, Igor, 1882-1971....”Published 1993
CONNECT
CONNECT
Audio
116
117
by Stravinsky, Igor, 1882-1971.
Published 2006
Other Authors:
“...Stravinsky, Igor, 1882-1971....”Published 2006
CONNECT
CONNECT
Electronic
Audio
118
119
120