Edward Elgar
Sir Edward William Elgar, 1st Baronet, (; 2 June 1857 – 23 February 1934) was an English composer, many of whose works have entered the British and international classical concert repertoire. Among his best-known compositions are orchestral works including the ''Enigma Variations'', the ''Pomp and Circumstance Marches'', concertos for violin and cello, and two symphonies. He also composed choral works, including ''The Dream of Gerontius'', chamber music and songs. He was appointed Master of the King's Musick in 1924.Although Elgar is often regarded as a typically English composer, most of his musical influences were not from England but from continental Europe. He felt himself to be an outsider, not only musically, but socially. In musical circles dominated by academics, he was a self-taught composer; in Protestant Britain, his Roman Catholicism was regarded with suspicion in some quarters; and in the class-conscious society of Victorian and Edwardian Britain, he was acutely sensitive about his humble origins even after he achieved recognition. He nevertheless married the daughter of a senior British Army officer. She inspired him both musically and socially, but he struggled to achieve success until his forties, when after a series of moderately successful works his ''Enigma Variations'' (1899) became immediately popular in Britain and overseas. He followed the Variations with a choral work, ''The Dream of Gerontius'' (1900), based on a Roman Catholic text that caused some disquiet in the Anglican establishment in Britain, but it became, and has remained, a core repertory work in Britain and elsewhere. His later full-length religious choral works were well received but have not entered the regular repertory.
In his fifties, Elgar composed a symphony and a violin concerto that were immensely successful. His second symphony and his cello concerto did not gain immediate public popularity and took many years to achieve a regular place in the concert repertory of British orchestras. Elgar's music came, in his later years, to be seen as appealing chiefly to British audiences. His stock remained low for a generation after his death. It began to revive significantly in the 1960s, helped by new recordings of his works. Some of his works have, in recent years, been taken up again internationally, but the music continues to be played more in Britain than elsewhere.
Elgar has been described as the first composer to take the gramophone seriously. Between 1914 and 1925, he conducted a series of acoustic recordings of his works. The introduction of the moving-coil microphone in 1923 made far more accurate sound reproduction possible, and Elgar made new recordings of most of his major orchestral works and excerpts from ''The Dream of Gerontius''. Provided by Wikipedia
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121
The sanguine fan ; Beau Brummel / by Elgar, Edward, 1857-1934
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122
Music for Powick Asylum / by Elgar, Edward, 1857-1934
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123
Music for string orchestra / by Elgar, Edward, 1857-1934
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124
Dream children ; The wand of youth. by Elgar, Edward, 1857-1934
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125
Variations on an original theme : opus 36 : for orchestra. by Elgar, Edward, 1857-1934
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126
The overtures / by Elgar, Edward, 1857-1934
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Symphony no. 1, op. 55. by Elgar, Edward, 1857-1934
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Symphony no. 2, op. 63. by Elgar, Edward, 1857-1934
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129
Falstaff ; Polonia. by Elgar, Edward, 1857-1934
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Music for organ / by Elgar, Edward, 1857-1934
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131
Music for violin / by Elgar, Edward, 1857-1934
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Chamber music / by Elgar, Edward, 1857-1934
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133
The Spanish lady : sketches for an opera in two acts / by Elgar, Edward, 1857-1934
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134
Salut d'amour : Opus 12 : für Klavier = Salut d'amour : op. 12 : for piano / by Elgar, Edward, 1857-1934
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135
Salut d'amour : Opus 12 : für Violine und Klavier = Salut d'amour : op. 12 : for violin and piano / by Elgar, Edward, 1857-1934
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136
Concerto in E minor, opus 85 for cello (and optional 2nd cello) : commentary and preparatory exercises / by Elgar, Edward, 1857-1934
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137
The concertos / by Elgar, Edward, 1857-1934
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138
Short orchestral works / by Elgar, Edward, 1857-1934
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139
Enigma variations ; Pomp & circumstance marches ; Cockaigne overture (In London town) / by Elgar, Edward, 1857-1934
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140
From the Bavarian highlands, op. 27 / by Elgar, Edward, 1857-1934
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Overtures
Orchestral music
Part songs, English
Symphonies
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Variations (Orchestra)
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Concertos (Cello)
Suites (Orchestra)
Marches (Orchestra)
Incidental music
String orchestra music
Violin and piano music
Operas
Piano music
Choruses, Secular (Mixed voices) with orchestra
Concertos (Violin)
Violin and piano music, Arranged
Cantatas, Secular
Symphonic poems
Piano music, Arranged
Suites (String orchestra)
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Cello and piano music, Arranged
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