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MT47
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Highpoints : a Study of Melodic Peaks / |
1 |
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MT47 T63
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Melodielehre : ein Beitrag zur Musiktheorie / |
1 |
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MT49 .B1713 1994
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J.S. Bach's Precepts and principles for playing the thorough-bass or accompanying in four parts : Leipzig, 1738 / |
1 |
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MT49 .B84
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Thorough-bass accompaniment according to Johann David Heinichen, |
1 |
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MT49 .I58 2010eb
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Partimento and continuo playing in theory and in practice / |
1 |
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MT49 .K2952
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Thoroughbass method; |
1 |
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MT49 .L266 1969
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A plain and compendious method of teaching thorough bass. |
1 |
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MT49 .M784 1976
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Mozart's practical elements of thorough-bass. |
1 |
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MT49 .N8 1987
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Continuo playing on the lute, archlute, and theorbo / |
1 |
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MT49 .S26 2012eb
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The art of partimento : history, theory, and practice / |
1 |
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MT49 .W54
|
Figured bass accompaniment |
1 |
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MT49.542 .S55 1667
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Chelys, minuritionum artificio exornata, sive, Minuritiones ad basin, etiam ex tempore modulandi ratio : in tres partes distributa = The division-viol, or, The art of playing ex tempore upon a ground, divided into three parts ... / |
1 |
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MT50
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Harmony. |
1 |
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MT50 .A444 1989
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Harmony and voice leading / |
1 |
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MT50 .B65
|
Harmonic technique in the rock idiom : the theory & practice of rock harmony / |
1 |
|
MT50.B845 S5
|
Serial composition. |
1 |
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MT50 .B94 1972
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A study of chord frequencies based on the music of representative composers of the eighteenth and nineteenth centuries. |
1 |
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MT50 .C736 2012
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Audacious euphony : chromaticism and the consonant triad's second nature / |
1 |
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MT50 .F33 2002
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Reharmonization techniques / |
1 |
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MT50 .F35 2002
|
Reharmonization techniques / |
1 |
