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MFM 1144, reel 42.3
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Graphics; a manual of drawing and writing, for the use of schools and families. |
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MFM 1144, reel 42.4
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Portrait of Washington. |
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MFM 1144, reel 42.5
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Powers' statue of the Greek slave. |
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MFM 1144, reel 42.6
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Hints to young painters, and the process of portrait painting, as practiced by the late Thomas Sully. |
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MFM 1144, reel 42.7
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Art recreations being a complete guide to pencil drawing, oil painting ... moss work, papier mache ... wax work, shell work ... enamel painting, etc., |
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MFM 1144, reel 42.8
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Historic annals of the National academy of design, New York drawing association, etc., with occasional dottings by the way-side, from 1825 to the present time. |
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MFM 1144, reel 42.9
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American art museums. |
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MFM 1144, reel 43.1
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Zephyrs from Italy and Sicily. |
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MFM 1144, reel 43.10
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The architect and monetarian a brief memoir of Thomas Alexander Tefft, including his labors in Europe to establish a universal currency. |
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MFM 1144, reel 43.11
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The life of Benjamin West. |
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MFM 1144, reel 43.2
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Obituary notice of John Haviland. |
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MFM 1144, reel 43.3
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Memoirs of the life and religious labors of Edward Hicks late of Newtown, Bucks County. Pennsylvania. |
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MFM 1144, reel 43.4
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Eulogy on Thomas Crawford |
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MFM 1144, reel 43.5
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The artists of America: a series of biographical sketches of American artists; with portraits and designs on steel. |
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MFM 1144, reel 43.6
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After icebergs with a painter: a summer voyage to Labrador and around Newfoundland. |
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MFM 1144, reel 43.7
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Thomas Crawford and art in America. Address before the New York Historical Society, upon the reception of Crawford's statue of the Indian, presented by Frederic De Peyster. April 6, 1875. |
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MFM 1144, reel 43.8
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Notes on Italy, |
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MFM 1144, reel 43.9
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A sketch of the life and a list of some of the works of John Singleton Copley. |
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MFM 1144, reel 44.1
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An historical account of the Providence stage being a paper read before the Rhode Island Historical Society, October 25th, 1860 ... |
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MFM 1144, reel 44.2
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History of the American stage. Containing biographical sketches of nearly every member of the profession that has appeared on the American stage, from 1733 to 1870. |
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