|
MFE 5849
|
Arab music theory in the modern period |
1 |
|
MFE 5850
|
Music in the age of Ockham the interrelations between music, mathematics, and philosophy in the 14th century / |
1 |
|
MFE 5851
|
The songs of Charles Ives and the cultural contexts of death |
1 |
|
MFE 5852
|
Elvis Presley all shook up : the effect of ideology and subculture on star image / |
1 |
|
MFE 5853
|
Meaning in Gustav Mahler's music a historical and analytical study focusing on the Ninth Symphony / |
1 |
|
MFE 5854
|
Compositional aspects of two early works for string orchestra by Krzysztof Penderecki |
1 |
|
MFE 5855
|
Contrapuntal techniques in the music of György Ligeti |
1 |
|
MFE 5856
|
Aspects of harmony, rhythm and form in Schumann's Papillons, Carnaval and Davidsbündlertänze |
1 |
|
MFE 5857
|
Singing the French Revolution popular songs and revolutionary politics, 1787-1799 / |
1 |
|
MFE 5858
|
Béla Bartók and Hungarian nationalism the development of Bartok's social and political ideas at the turn of the century (1899-1903) / |
1 |
|
MFE 5859
|
Proportional construction in relation to formal process in the early serial music of Igor Stravinsky |
1 |
|
MFE 5860
|
Humanism and musical experience |
1 |
|
MFE 5861
|
Tonal intuitions in "Tristan und Isolde" |
1 |
|
MFE 5863
|
Messiaen's rhythmic techniques and their structural application in Sept Haikai |
1 |
|
MFE 5864
|
The early, unpublished songs of Arnold Schoenberg |
1 |
|
MFE 5865
|
Claudio Merulo servant of the state and musical entrepreneur in later sixteenth-century Venice / |
1 |
|
MFE 5866
|
Brahms the allusive extra-compositional reference in the instrumental music of Johannes Brahms / |
1 |
|
MFE 5867
|
Thematic and tonal processes in Mahler's third symphony |
1 |
|
MFE 5868
|
The musical instruments of Harry Partch as an apparatus of production in musical theatre |
1 |
|
MFE 5869
|
The art songs of black American composers |
1 |
