Published 2015
Table of Contents:
“…: using rock to capture counterculture generational identity -- Setting the escapist scene with music : sex and comedy in an exotic world -- Generational genocide : selling youth rebellion in
Roger Corman's Gas-s-s -- African American artists in Hollywood : Isaac Hayes' contribution to Shaft -- I'm watching it for its music : Deep throat and its soundtrack -- Challenging normativity and pushing boundaries : Midnight cowboy and cultural resistance -- Ambiguous meaning of music : combining technology and music in the dystopian world of A clockwork orange -- Understanding country ways : a talk with Country Joe McDonald about counterculture film -- Bringing the 1960s to life : an interview with director Robert Greenwald.…”
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