Television culture /

This revised edition of a now classic text includes a new introduction by Henry Jenkins, explaining 'Why Fiske Still Matters' for today's students, followed by a discussion between former Fiske students Ron Becker, Aniko Bodroghkozy, Steve Classen, Elana Levine, Jason Mittell, Greg Sm...

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Bibliographic Details
Main Author: Fiske, John
Format: Electronic eBook
Language:English
Published: London ; New York : Routledge, 2011.
Edition:2nd ed.
Subjects:
Online Access:CONNECT
Table of Contents:
  • Some television, some topics, and some terminology. The codes of television ; Some terminology
  • Realism. The form of realism ; Realism and radicalism
  • Realism and ideology. Popularity ; Realism and discourse ; Television and social change
  • Subjectivity and address. The social subject ; The discursive subject ; Addressing the subject ; Psychoanalysis and the subject
  • Active audiences. Text and social subjects ; Making meanings ; Modes of reception ; Gossip and oral culture ; The social determination of meanings
  • Activated texts. The polysemy of the television text ; Open, writerly texts ; Producerly texts ; Segmentation and flow ; Television and culture
  • Intertextuality. Horizontal intertextuality ; Genre ; Inescapeable intertextuality ; Vertical intertextuality : reading the secondary text ; The tertiary text ; Intertextuality and polysemy
  • Narrative. Realism revisited ; Structuralist approaches to narrative ; Mythic narrative ; Narrative structures ; Narrative codes ; Televisual narrative
  • Character reading. Realist and structural approaches ; Reading character from the primary text ; Reading character : the secondary texts ; Identification, implication, and ideology
  • Gendered television : femininity. Soap opera form ; Disruption ; Deferment and process ; Sexuality and empowerment ; Excess ; Plenitude and polysemy ; The feminine as decentered
  • Gendered television : masculinity. The structure of the masculine A-Team ; The absence of women ; The absence of work and marriage ; The A-Team as achievement ; The phallus, the penis, and porn ; Male bonding and the hero team ; Gender and narrative form
  • Pleasure and play. Psychoanalysis and pleasure ; Pleasure and social control ; Pleasure, play, and control ; Pleasure and rule breaking ; Empowering play ; Pleasure and textuality
  • Carnival and style. Rock 'n' wrestling ; Style and music video ; The pleasures of Miami vice ; Commodified pleasure
  • Quizzical pleasures. Game and ritual ; Knowledge and power ; Luck ; Commodities ; The active audience ; Articulating quiz shows
  • News readings, news readers. The strategies of containment ; Categorization ; Subcategories ; Objectivity ; Exnomination and inoculation ; Metaphor ; News narrative ; News analysis ; The forces of disruption
  • Conclusion : the popular economy. The problem of the popular ; The two economies ; Popular cultural capital ; Resistance and semiotic power ; Diversity and difference.
  • BOOK COVER
  • TITLE
  • WHY FISKE STILL MATTERS
  • JOHN FISKE AND TELEVISION CULTURE
  • NOTES ON CONTRIBUTORS
  • 1. SOME TELEVISION, SOME TOPICS, AND SOME TERMINOLOGY
  • 2. REALISM
  • 3. REALISM AND IDEOLOGY
  • 4. SUBJECTIVITY AND ADDRESS
  • 5. ACTIVE AUDIENCES
  • 6. ACTIVATED TEXTS
  • 7. INTERTEXTUALITY
  • 8. NARRATIVE
  • 9. CHARACTER READING
  • 10. GENDERED TELEVISION: FEMININITY
  • 11. GENDERED TELEVISION: MASCULINITY
  • 12. PLEASURE AND PLAY
  • 13. CARNIVAL AND STYLE
  • 14. QUIZZICAL PLEASURES
  • 15. NEWS READINGS, NEWS READERS
  • 16. CONCLUSION: THE POPULAR ECONOMY
  • NAME INDEX.