Studying the British crime film /
Ever since its inception, British cinema has been obsessed with crime and the criminal. One of the first narrative films to be produced in Britain, the Hepworth's 1905 short Rescued by Rover, was a fast-paced, quick-edited tale of abduction and kidnap, and the first British sound film, Alfred H...
Saved in:
| Main Author: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Leighton Buzzard :
Auteur,
2014.
|
| Series: | Studying British cinema series.
|
| Subjects: | |
| Online Access: | CONNECT CONNECT |
MARC
| LEADER | 00000cam a2200000 i 4500 | ||
|---|---|---|---|
| 001 | mig00005351955 | ||
| 006 | m o d | ||
| 007 | cr cnu|||unuuu | ||
| 008 | 150212s2014 enka ob 001 0 eng d | ||
| 005 | 20240618153526.0 | ||
| 019 | |a 945079634 |a 1392033462 | ||
| 020 | |a 9780993071775 |q (electronic bk.) | ||
| 020 | |a 0993071775 |q (electronic bk.) | ||
| 020 | |a 9781800347397 |q (electronic bk.) | ||
| 020 | |a 1800347391 |q (electronic bk.) | ||
| 020 | |z 9781906733742 | ||
| 020 | |z 1906733740 | ||
| 028 | 0 | 1 | |a EB00643165 |b Recorded Books |
| 035 | |a 1WRLDSHRocn903245796 | ||
| 035 | |a (OCoLC)903245796 |z (OCoLC)945079634 |z (OCoLC)1392033462 | ||
| 037 | |a ADAB3FFD-21DF-4466-9CE7-22465EF32DF3 |b OverDrive, Inc. |n http://www.overdrive.com | ||
| 037 | |a 22573/ctv137k5kf |b JSTOR | ||
| 040 | |a N$T |b eng |e rda |e pn |c N$T |d N$T |d IDEBK |d E7B |d TEFOD |d OCLCF |d YDXCP |d TEFOD |d RECBK |d AGLDB |d MOR |d CCO |d PIFAG |d ZCU |d OCLCQ |d MERUC |d OCLCQ |d U3W |d STF |d VTS |d ICG |d VT2 |d OCLCQ |d WYU |d TKN |d DKC |d AU@ |d OCLCQ |d M8D |d OCL |d VLY |d YDX |d JSTOR |d EBLCP |d OCLCQ |d OCLCO |d TUHNV |d OCLCO |d OCLCQ |d UKAHL |d INARC |d OCLCO |d OCLCL | ||
| 043 | |a e-uk--- | ||
| 049 | |a TXMM | ||
| 050 | 4 | |a PN1995.9.C66 |b E455 2014 | |
| 082 | 0 | 4 | |a 791.4365560941 |2 23 |
| 100 | 1 | |a Elliott, Paul, |d 1972- |e author. |1 https://id.oclc.org/worldcat/entity/E39PCjyHBv8bcBjDCfWkr8VCjP | |
| 245 | 1 | 0 | |a Studying the British crime film / |c by Paul Elliott. |
| 264 | 1 | |a Leighton Buzzard : |b Auteur, |c 2014. | |
| 300 | |a 1 online resource : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a data file |2 rda | ||
| 490 | 1 | |a Studying British cinema | |
| 504 | |a Includes bibliographical references and index. | ||
| 588 | 0 | |a Print version record. | |
| 520 | |a Ever since its inception, British cinema has been obsessed with crime and the criminal. One of the first narrative films to be produced in Britain, the Hepworth's 1905 short Rescued by Rover, was a fast-paced, quick-edited tale of abduction and kidnap, and the first British sound film, Alfred Hitchcock's Blackmail (1930), centered on murder and criminal guilt. For a genre seemingly so important to the British cinematic character, there is little direct theoretical or historical work focused on it. The Britain of British cinema is often written about in terms of national history, ethnic diversity, or cultural tradition, yet very rarely in terms of its criminal tendencies and dark underbelly. This volume assumes that, to know how British cinema truly works, it is necessary to pull back the veneer of the costume piece, the historical drama, and the rom-com and glimpse at what is underneath. For every Brief Encounter (1945) there is a Brighton Rock (2010), for every Notting Hill (1999) there is a Long Good Friday (1980). | ||
| 505 | 0 | |a Introduction: Rounding up the Usual Suspects; 1. Gangland UK; 2. The Post-Millennial Gangster Film; 3. The Heist; 4. Bent Coppers; 5. Working Girls; 6. Serial Killers; 7. Juvenile Delinquency; Bibliography; Index | |
| 500 | |a Books at JSTOR Evidence Based Acquisitions |5 TMurS | ||
| 500 | |a EBSCO eBook Academic Comprehensive Collection North America |5 TMurS | ||
| 650 | 0 | |a Crime films |z Great Britain |x History and criticism. | |
| 650 | 0 | |a Motion pictures |x Social aspects |z Great Britain. | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 730 | 0 | |a WORLDSHARE SUB RECORDS | |
| 758 | |i has work: |a Studying the British crime film (Work) |1 https://id.oclc.org/worldcat/entity/E39PCGypGCCbgfx7WRfrF3YQdP |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Elliott, Paul, 1972- |t Studying the British crime film |z 1906733740 |w (OCoLC)824733616 |
| 830 | 0 | |a Studying British cinema series. | |
| 856 | 4 | 0 | |u https://ezproxy.mtsu.edu/login?url=https://www.jstor.org/stable/10.2307/j.ctv13840xs |z CONNECT |3 JSTOR |t 0 |
| 856 | 4 | 0 | |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=954003&authtype=ip,sso&custid=s4672406 |z CONNECT |3 eBooks on EBSCOhost |t 0 |
| 907 | |a 4623681 |b 01-25-21 |c 06-30-20 | ||
| 949 | |a ho0 | ||
| 994 | |a 92 |b TXM | ||
| 998 | |a wi |d z | ||
| 999 | f | f | |s 458c9430-f660-4c26-b8f8-f8ddbf05744b |i 096d0a8c-eabe-4c35-ae34-7ba745c3900a |t 0 |
| 952 | f | f | |a Middle Tennessee State University |b Main |c James E. Walker Library |d Electronic Resources |t 0 |e PN1995.9.C66 E455 2014 |h Library of Congress classification |
