Comme toujours here I stand /
Comme Toujours Here I Stand re-invents Agnes Varda's classic New Wave film, CLEO FROM 5 TO 7, for the stage. Shot in Paris in 1961, the film tracks the early evening hours in the life of a marginally talented pop singer, as she waits to hear if she has terminal cancer. The Company uses the scri...
Saved in:
Corporate Author: | |
---|---|
Other Authors: | , |
Format: | Electronic Video |
Language: | English |
Published: |
New York, NY :
Big Dance Theater,
2009.
|
Subjects: | |
Online Access: | CONNECT |
MARC
LEADER | 00000ngm a22000003i 4500 | ||
---|---|---|---|
001 | mig00005020739 | ||
003 | VaAlASP | ||
005 | 20170824141254.0 | ||
006 | m|||||o||c|||||||| | ||
007 | cr |n||||||||a | ||
007 | vz |za|z| | ||
008 | 170824s2009 nyu070 e |o vleng d | ||
035 | |a (OCoLC)1003348175 | ||
035 | 0 | 0 | |a ocm00000001asp2830321/marc |
040 | |a VaAlASP |b eng |e rda |c VaAlASP | ||
245 | 0 | 0 | |a Comme toujours here I stand / |c Big Dance Theater ; [directed by Paul Lazar and Annie-B Parson]. |
264 | 1 | |a New York, NY : |b Big Dance Theater, |c 2009. | |
300 | |a 1 online resource (70 minutes) | ||
306 | |a 011002 | ||
336 | |a two-dimensional moving image |b tdi |2 rdacontent | ||
337 | |a computer |b c |2 rdamedia | ||
337 | |a video |b v |2 rdamedia | ||
338 | |a online resource |b cr |2 rdacarrier | ||
347 | |a data file |2 rda | ||
500 | |a Title from resource description page (viewed August 24, 2017). | ||
511 | 0 | |a Tymberly Canale, Chris Giarmo, Molly Hickok, Ryutaro Mishima, Kourtney Rutherford. | |
520 | |a Comme Toujours Here I Stand re-invents Agnes Varda's classic New Wave film, CLEO FROM 5 TO 7, for the stage. Shot in Paris in 1961, the film tracks the early evening hours in the life of a marginally talented pop singer, as she waits to hear if she has terminal cancer. The Company uses the script as a found object to create an intimate portrait of a woman shadowed by death, while still caught up in the breezy pleasures of the day: shopping, visiting, strolling. The piece serves also as a critique of the flexible and facile nature of the medium of film, when set against the hand made qualities of live dance and theater. | ||
546 | |a In English. | ||
650 | 0 | |a Modern dance. | |
655 | 7 | |a Filmed performances. |2 lcgft | |
700 | 1 | |a Parson, Annie-B, |e director. | |
700 | 1 | |a Lazar, Paul, |e director. | |
710 | 2 | |a Big Dance Theater, |e performer. | |
730 | 0 | |a Alexander Street Press : discovery records | |
856 | 4 | 0 | |u https://ezproxy.mtsu.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;2830321 |z CONNECT |t 0 |
907 | |a 3607363 |b 05-19-21 |c 10-12-17 | ||
998 | |a wi |b 10-12-17 |c m |d g |e - |f eng |g nyu |h 0 |i 1 | ||
999 | f | f | |i 1c1b7b2e-8227-4909-ba1a-d64a1e3ebd82 |s 13d98697-266a-4d13-926f-fcc40a527c71 |t 0 |
952 | f | f | |a Middle Tennessee State University |b Main |c James E. Walker Library |d Electronic Resources |t 0 |h Library of Congress classification |
856 | 4 | 0 | |t 0 |u https://ezproxy.mtsu.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;2830321 |z CONNECT |